The AF/AE Lock button sits to the right of the eyecup it's surrounded by a switch that changes between AFF/AFS, AFC, and MF focus modes. The Fn4 button is nestled on the rear plate, to the left of the EVF-by default it toggles between the rear LCD and EVF, with a third setting activating the eye sensor for automatic switching. The top plate includes a mechanical release for the pop-up flash, as well as the hot shoe, mode dial, power switch, control dial, zoom rocker, shutter release, record button, and programmable Fn1 (EV compensation by default) and Fn2 buttons.
#Using izoom fz300 manual#
There's a zoom rocker and manual focus dial on the left side of the lens, along with a button to toggle between standard autofocus and autofocus with the macro shooting range enabled. The FZ1000 is a better match-it's still more expensive, but includes an EVF and 4K recording, though it omits the weather and dust protection included with the FZ300, making it a less appealing choice for travel and nature photography.Ĭontrols and Features The body is rife with physical controls. While the G3 X matches it in zoom range and betters the FZ300 in image quality, it omits an EVF, doesn't focus as quickly, doesn't support 4K video capture, and is significantly more expensive. That said, there are still reasons to choose the FZ300 over either the G3 X or the FZ1000.
#Using izoom fz300 iso#
The FZ300's 12-megapixel sensor is one of the better 1/2.3-inch chips in terms of high ISO performance, but it doesn't match up with the Sony-made 1-inch BSI CMOS sensor when shooting at a high sensitivity. This gives you more room to crop photos, and while they do lose light when zooming, high ISO performance is strong for both cameras. Even though they have variable aperture lenses, they offer higher resolution 20-megapixel image sensors. That's a far cry from the pocket superzoom Panasonic ZS50 (2.5 by 4.4 by 1.4 inches, 8.6 ounces), but the ZS50's f/3.3-6.4 variable aperture lens loses light-gathering capability quickly as you zoom in, and its integrated EVF is not nearly as large or as crisp as the one in the FZ300.īut the Canon G3 X (25-600mm f/2.8-5.) and Panasonic's own FZ1000 (25-400mm f/2.8-4) are worth considering as alternatives to the FZ300. Its fixed lens is similar in size to the compact zoom lens bundled with most consumer models the entire package measures 3.6 by 5.2 by 4.6 inches (HWD) and weighs 1.5 pounds. But the FZ300 has a fixed f/2.8 aperture, so it captures just as much light at its widest angle as it does when zoomed all the way in-a rarity for this class. If your photographic needs don't extend beyond 600mm, and you value weather sealing, 4K video, and a lightning-fast autofocus system, the FZ300 is an excellent, but pricey, choice in its own right.ĭesign The FZ300 takes its design cues from SLRs. The FZ300's 24x lens doesn't sound that ambitious on paper-pocket models like Panasonic's own ZS50 manage to put 30x lenses into a smaller package, and others like our Editors' Choice Canon PowerShot SX60 HS reach incredible 65x telephoto ratios.
#Using izoom fz300 series#
The Panasonic Lumix cameras have achieved many accomplishments throughout its timeline, and the various models in the Lumix series have often proved to be the world’s first cameras to use innovative and new technologies.Superzoom cameras like the Panasonic Lumix DMC-FZ300 ($599.99) are attractive options for photographers who want the versatility of a very long zoom range along with the ergonomics of an SLR, but don't want to carry an interchangeable lens camera and a few lenses. These cameras range from the simple point-and-shoot cameras to digital single lens reflex (DSLR) cameras. The Panasonic Lumix series is the official brand of Panasonic digital cameras. Panasonic first dived into the camera industry in 2001, but the camera sales didn’t pick up until 2008 when Panasonic started to focus on digital cameras with the Lumix series. Panasonic is an electronics company that has been around since 1918, and started off as a company selling attachment plugs and two-way sockets.
0 kommentar(er)
